Characters of all traits and talents are sharing their
tales. Written in short monologue and dialogues the reader is able to read or
perform these stories. The stories are simple and short, however they provide
an accurate description of the time.
Religious practices, food, and medicines discussed in the book enable
readers to get a sense of the struggles and duties these character faced. Many
characters speak in verse and music sheets accompany the songs included.
Suggested lesson plan
5th grade theatre
Students will be assigned various roles. Students should
begin simply by reading over their character’s dialogue. The teacher should
have students read text slowly and serve as a guide for pronunciation. As
students begin to feel more comfortable with their roles, they should be paired
with another student to practice pacing and voice inflection. Students should be advised to carefully
consider the characterization and time-period of their character. Ultimately,
students should perform for their partner using learned character development
techniques. Students will provide written and verbal constructive feedback.
Materials needed:
Book - Good masters,
sweet ladies
Scripts
Paper
Teacher selected roles
5th
grade- Theatre
(3) Creative
expression/performance. The student applies design, directing, and theatre
production concepts and skills. The student is expected to:
(A) define character, environment,
action, and theme, using props, costumes, and visual elements;
(C) plan
brief dramatizations collaboratively; and
(D) interact cooperatively with
others in brief dramatizations.
(4) Historical/cultural heritage.
The student relates theatre to history, society, and culture. The student is
expected to:
(A) relate theatre to life in
particular times, places, and cultures; and
(B) analyze the role of live
theatre, film, television, and electronic media in American society.
(5) Response/evaluation. The
student responds to and evaluates theatre and theatrical performances. The
student is expected to:
(A) analyze and apply
appropriate audience behavior at a variety of performances;
(B) define visual, aural, oral, and kinetic
aspects of informal play-making and formal theatre and describe these
components in art, dance, and music;

No comments:
Post a Comment